I WANT TO SHOW YOU SOMETHING YOU
HAVEN’T SEEN. YOU HAVEN’T SEEN. LOOK AT THIS. JIMMY IS ON THE COVER OF THE
CORN FLACKS BOX! — CORNFLAKES BOX!>>THAT’S AMAZING.>>WOULD YOU SAY I LOOK GOOD
THERE?>>I THINK YOU LOOK FANTASTIC.>>YOU LOOK INCREDIBLE.>>YOU SAY I LOOK GOOD IN THERE?>>YEAH, BETTER — I THINK YOU
LOOK BETTER THERE THAN DO YOU NOW.>>James: WOW, HE GIVES WITH ONE
HAND AND TAKES WITH THE OTHER.>>IT’S FOOTBALL JERSEYS. FOOTBALL JERSEYS ARE SO HARD TO
PULL OFF WITHOUT — I ROLLED UP MY SLEEVES. CASUAL FOOTBALL JERSEY IS TOUGH.>>THIS IS ANTONIO —
>>I KNOW IT’S ANTONIO. YOU’RE A GOLD MEDAL ATHLETE,
MUCH RESPECT. YOU STILL KIND OF LOOK FAT.>>James: DUDE, KRASINSKI.>>DON’T RUN AWAY FROM ME,
KRASINSKI!>>James: THE FOOTBALL JERSEY
WITHOUT PANTS, IT’S LIKE, YOU KNOW.>>I FEEL LIKE THIS BIT ENDS
WITH HIM TAKING HIS SHIRT OFF AND US LOOKING LIKE IDIOTS.>>James: HA-HA.>>HEY, PAL, WHATEVER IT TAKES.>>I WON’T DO THAT.>>James: YOU’RE BOTH BIG MUSCLE
PLAYERS. THIS IS HUGE. WHAT AGE ARE YOU HERE?>>THAT IS ME AT 35.>>James: HA-HA.>>LOOKS LIKE A PARACHUTE. I WAS DECENT. I’M THE RUNT IN MY FAMILY.>>James: RIGHT.>>MY BROTHERS ARE 6’8″ AND
6’9″. I WASN’T AS GOOD AS THEM.>>TAKE THAT PICTURE AND PUT IT
AWAY. I’M SAYING.>>I DON’T KNOW, BECAUSE I LIKE
ART.>>SORRY OUR A CEREAL BOX.>>YOU GOT ME.>>James: YOU PLAY THE PICKUP
GAME?>>I DO.>>James: WHAT POSITION DO YOU
PLAY?>>I PLAY JEW. I’M STARTING JEW. UM.>>DO YOU PLAY —
>>ARE YOU KIDDING? I PLAY IN JORDAN 11.>>NO I MEAN, LOOK, I DON’T WANT
TO — I DON’T WANT TO — NO [ BLEEP ]. [ BLEEP ].>>NOVEMBER 4TH COMES REAL SOON. REAL SOON.>>YEP. YEP.>>CARMELO ANTHONY — NOVEMBER
4TH COMES REAL SOON.>>YOU’RE KIDDING!>>REALLY SERIOUS RIGHT NOW.>>James: I WANT TO SEE YOU BOTH
HAVE A FIGHT.>>I WAS JUST GOING SAY, NOT
ONLY COULD I SMOKE OUT COURT, BUT I THINK I COULD TAKE YOU
PHYSICALLY ON A FIGHT.>>THIS IS NOT COMBAT. THIS IS A FIGHT.>>IN A VIDEO GAME.>>James: IN A VIDEO GAME.
MORTAL COMBAT.
Hey, this is Chase from ShotScience.com
and today I’m going to talk to you about the “Flash.” The “Flash” is used by the post player to
gain possession of the ball away from the basket, or to create space from their post
defender. To have an effective “Flash” in the post, you want to come straight back towards the
person with the ball. You want to be very visible. So that means you want to have your hands in the air; show
them a target. You also want to be very verbal. You want to call for the ball and let them know that
you’re open so that they don’t miss you. And lastly, we want to make sure that we’re under control. We want to be on balance. When we catch the ball, we want to make sure
that we “Chin” the ball, that we’re in athletic position so that we’re not knocked off or
we don’t travel when we catch the ball. And one last element to remember when we’re Flashing back to the ball is to make sure
that we greet the ball. And what that means is that we have to be responsible for the last 10% of that pass.
We can’t sit back and let the ball come to us because the defender will step around us
and tip it away. So we want to make sure we take our hands out in front of us, really go out and grab
the ball, and keep running into it and then be on balance. As opposed to sitting back
and waiting for it. So remember, when performing the “Flash,” we want to Flash strong. We want to be visible. We want to be verbal. And we want to be under control. And remember to meet the ball so that we’re
not waiting for it to come to us. So that’s the “Flash” and it’s really a great way as a post player to get the ball in your
hands. And make sure to check out our future downloadable videos on post moves. Thanks for watching ShotScience and don’t
forget… comment, rate, and subscribe!
I Want to Fly can you take me far away give me a star yo reach for tell me whats it takes and I’Il go so high I’il go so high My feet won’t touch the ground Stitch my wings And pull the strings I bought these dreams that all fall down I want to fly can you take me far away give me a star yo reash for tell me whats it takes and I’Il go so high I’Il go so high My feet won’t touch the ground stitch my wings And pull the strings I bought these dreams That all fall down I want to fly can you take me far away give me a star yo reash for tell me whats it takes and I’Il go so high I’il go so high My feet won’t touch the ground Stitch my wings And pull the strings I bought these dreams That all fall down I want to fly can you take me far away give me a star reash for tell me whats it takes and I’il go so high I’il go so high My feet won’t touch the ground Stitch my wings And pull the strings I bought these dreams That all fall down
OKAY, HERE IS HOW IT IS GOING TO
WORK. I WILL BRING OUT A FEW PEOPLE TO
PERFORM FOR US AM IF YOU GUYS ARE IMPRESSED THEY GET TO STAY
AT THE BAR AND DRINK FOR FREE. IF YOU AREN’T, THAN OUR BAR
BOUNCERS, THESE TWO HULKING BREUTS OVER HERE, THAT WAS THE
LEAST SINCERE WHOOO I HAVE EVER HEARD. BUT IT WAS THE RIGHT RESPONSE. THESE MEN WILL THROW THEM OUT OF
THE STUDIO NEVER TO RETURN. SO WHAT DO YOU SAY, DO YOU WANT
TO SEE SOME BAR TRICKS? ALL RIGHT, LET’S BRING OUT OUR
FIRST CONTESTANTS. (APPLAUSE)
HELLO, SIR. WHAT IS YOUR NAME AND WHERE ARE
YOU FROM.>>MY NAME IS JOSH HORTON, I’M
FROM DALLAS TEXAS.>>James: OKAY. NOW WHAT IS YOUR BAR TRICK.>>I’M GOING TO MAKE A
BASKETBALL TRICK SHOT WITH THIS POLE BALANCED ON MY HEAD.>>James: WELL, I THINK WE
WOULD ALL LIKE TO SEE THAT. GO FOR IT, GIVE ME YOUR BEST. HERE WE GO.>>HOLD ON.>>James: NO MAY.>>YES.>>James: OH! (CHEERS AND APPLAUSE).>>James: OH MY WORD! THAT WAS AMAZING. WHAT DO YOU SAY, GUYS? YOU GET A FREE DRINK. HAVE A SEAT AT THE BAR. WELL DONE. LET’S BRING OUT OUR NEXT
CONTESTANT. HELLO, SIR, WHAT IS YOUR NAME,
WHERE ARE YOU FROM.>>DOC DIKSON FROM PENNSYLVANIA.>>James: THANKS FOR JOINING
US. NOW AND WHAT IS YOUR BAR TRICK?>>I HAVE THE POWER TO THROW
PETSELS AT EACH OTHER WITH GREAT VELOCITY CAUSING THEM TO LINK
TOGETHER.>>James: OKAY. OKAY. WELL, I THINK WE WOULD LIKE TO
SEE THAT, WOULDN’T WE, GANG? I THINK WE WITH LOVE TO SEE
THAT. WAIT, THESE ARE REAL PRETZELS,
RIGHT.>>REGULATION, YES, BAR
PRETZELS.>>James: REGULATION BAR
PRETZELS COVERED IN A SLIGHT BIT OF URINE.>>IT– YEAH.>>James: OKAY, ALL RIGHT. GO FOR IT. TAKE IT AWAY. HERE WE GO.>>ONE, TWO, THREE, WATCH. LET MAY GET THE STRAW. YEAH. (APPLAUSE).>>James: WHAT DO YOU SAY,
GUYS, SHOULD HE STAY OR SHOULD HE GO? HANG ON, HANG ON. IF YOU WOULD LIKE HIM TO STAY,
CHEER NOW. IF YOU WOULD LIKE HIM TO GO,
BOO. OH, IT IS YOU 23457B MUS. — UNANIMOUS. I’M SO SORRY, GET OUT OF HERE
AND NEVER COME BACK. I THOUGHT IT WAS GOOD. I THOUGHT THAT WAS GOOD, IT WAS
A GOOD TRICK. ALL RIGHT. LET’S BRING OUT OUR NEXT
CONTESTANT. (APPLAUSE)
HELLO, SIR WHAT IS YOUR NAME, WHERE ARE YOU FROM.>>I’M NICK FROM ST. PAUL,
MINNESOTA.>>James: OKAY, NICK, NOW WHAT
IS YOUR BAR TRICK?>>I’M GOING TO TAKE THESE
SPOONS AND FLIP THEM IN THE AIR AND CATCH THEM IN CUPS.>>James: OH, LIKE A REAL
PROPER BAR TRICK, ALL RIGHT, NOW LET’S– OKAY, YEAH, SURE, HOW
MANY, SEVEN, ALL RIGHT, LET’S GO FOR IT. LET’S SEE THIS. QUITE TENSE, ISN’T IT? ALL RIGHT, NICK, GO FOR IT. (APPLAUSE)
NICK, THAT WAS AMAZING. HANG ON. RIGHT. THERE IS NO WAY– YOU ARE
STAYING, I’M NOT EVEN ASKING THEM, THAT WAS AMAZING. OR WAS IT, LET ME TRY. HOW ABOUT THIS, IF I DO IT, IF I
DO IT, YOU GOT TO LEAVE.>>SURE.>>James: IF I DON’T, YOU CAN
STAY.>>100 PERCENT. (APPLAUSE).>>James: WELL DONE, NICK. TAKE A SEAT. LET’S BRING OUT OUR NEXT CON TES
TANLT– CONTESTANT. HELLO, WHAT IS YOUR NAME, WHERE
ARE YOU FROM.>>I’M LINDSEY FROM AUSTIN,
TEXAS.>>James: HI, LINDSEY FROM
AUSTIN, TEXAS. AND WHAT IS YOUR BAR TRICK.>>I’M GOING TO ROLL UP THIS
FRYING PAN WITH JUST MY HANDS.>>James: JUST WHAT INDEED,
SIR, THAT IS A REAL FRYING PAN. YES. WHEN YOU SAY ROLL IT UP, WHAT DO
YOU MEAN.>>LIKE A BORE ITO– BURRITO,
LIKE WE DO IN TEXAS.>>James: ALL RIGHT. WELL, LET’S.>>HOLD THIS.>>James: GLADLY. OKAY.>>ALL RIGHT. (APPLAUSE).>>James: OH MY GOD! THAT IS RIDICULOUS. SHOULD SHE STAY? (CHEERS AND APPLAUSE)
OF COURSE SHE SHOULD. THAT WAS AMAZING. YOU ARE SO STRONG. WHAT ELSE CAN YOU DO?>>DO WE– I’M GOING TO CRUSH
THE APPLE IN MY ARM MUSCLE.>>James: SHUT THE FRONT DOOR. THAT IS A REGULAR APPLE.>>UH-HUH.>>James: OKAY.>>ALL RIGHT.>>James: NO WAY. (APPLAUSE).>>James: TAKE A SEAT AT THE
BAR. THAT WAS AMAZING. THAT WAS BAR TRICKS.
HERE OUTSIDE THE “LATE, LATE SHOW” STUDIO WITH PETE HOLMES AND SCOTT BAKULA AND UP ON THE ROOF WE HAVE JJ REDICK.>>HEY, JAMES.>>James: WE’RE ABOUT TO PLAY BASKETBALL OR CAKE. OKAY, SO DOWN HERE PETE, SCOTT AND I HAVE TO CATCH AS MANY BASKETBALLS BEING THROWN FROM THE ROOF BY JJ AS POSSIBLE. HOWEVER YOU MAY HAVE NOTICED THE GAME IS CALLED BASKETBALL OR CAKE. AND THAT CUZ WE WON’T KNOW IF JJ IS THROWING A BASKETBALL OR A CAKE SHAPED LIKE A BASKETBALL. NOW FOR HEALTH AND SAFETY REASONS, WE HAVE TO WEAR THESE OUTFITS. AND I THINK WE ALL LOOK PRETTY COOL, DON’T YOU.>>I FEEL GOOD, LIKE A POWER RANGER.>>James: YOU FEELING IT.>>NOT AS GOOD AS THAT BUT I’M FEELING IT.>>James: JJ, YOU READY?>>DO WE CATCH THE CAKE BALL?>>James: EVERYTHING COUNTS AS A CATCH. YOU TRY AND CATCH EVERYTHING. ALL RIGHT.>>CATCH EVERYTHING.>>James: YOU WILL GO FIRST, PETE AND ME AND SCOTT WILL KEEP GOING UNTIL WE ARE OUT OF TIME OR OUT OF CAKE OR OUT OF BASKETBALLS. ARE YOU READY TO, PLAY, JJ.>>I’M READY, ARE YOU READY.>>James: WE’RE REASONS.>>ALL RIGHT,.>>James: IS IT A CAKE IS IT A– NOW PETE, BACK, OH JEEZ, SCOTT, YOU’RE IN, SCOTT, THAT’S YOU. THAT’S YOU, THAT’S YOU. WHOOO.>>OKAY, IT’S ME. OH. IT IS YOU.>>James: SCOTT, IT’S YOU, IT’S YOU.>>OH MAN.>>James: PETE, IT’S YOU, ALWAYS YOURS, PETE. JJ IS A TERRIBLE THROWER. [BLEEP]. SCOTT, YOU’RE IN.>>WHATEVER YOU SAY.>>James: OH, NICE. PETE, YOU’RE UP. YOU’RE UP. IT’S ALL YOU. THAT WAS ME, OH [BLEEP], SWRRKS J, ARE YOU A TERRIBLE THROWER.>>THE WIND, THE WIND.>>James: I DON’T EVEN KNOW WHO IS GOING ANY MORE.>>HERE YOU GO.>>OH YEAH, NICE.>>James: OKAY, THIS IS ALL ME. [BLEEP] OH, [BLEEP] BAKULA. OH, JEEZ.>>OH, NICE.>>LAST CAKE,.>>James: LAST ONE, LAST ONE. THERE IT IS. WHO IS THE WINNER? THE WINNER IS SCOTT BAKULA.>>HE IS?>>James: YOU WIN NOTHING. I THINK WE CAN ALL AGREE WE’RE LOSERS TODAY. THAT WAS BASKETBALL OR CAKE. WE’LL BE RIGHT BACK.
OH, THANK YOU SO MUCH FOR
HELPING ME GET TO WORK TODAY. (CHEERS AND APPLAUSE)
>>TOTALLY!>>James: ARE YOU SURE THIS IS
OKAY, ARE YOU ALL RIGHT TO DO THIS.>>YES.>>James: DO YOU MAIN IF WE
LISTEN SOME MUSIC.>>YEAH.>>James: SHALL WE SEE WHAT IS
ON THE RADIO. ♪ SAID LITTLE BITCH, YOU CAN’T
WITH ME IF YOU WANTED TO ♪ THESE EXPENSIVE, THESE IS RED
BOTTOMS, THESE IS BLOODY SHOES ♪ HIT THE STORE, I CAN GET ‘EM
BOTH, I DON’T WANNA CHOOSE ♪ AND I’M QUICK, CUT THAT MAN
OFF SO DON’T GET COMFORTABLE ♪ LOOK, I DON’T DANCE NOW
I MAKE MONEY MOVES ♪ SAY I DON’T GOTTA DANCE
I MAKE MONEY MOVE ♪ IF I SEE YOU AND I DON’T SPEAK
THAT MEANS I DON’T WITH YOU ♪ I’M A BOSS, YOU A WORKER BITCH
I MAKE BLOODY MOVES ♪ I’M THE HOTTEST IN THE STREET
KNOW YOU PROBABLY HEARD OF ME ♪ GOT A BAG AND FIXED MY TEETH
HOPE YOU HOES KNOW IT AIN’T CHEAP
♪ AND I PAY MY MAMA BILLS I AIN’T GOT NO TIME TO CHILL
♪ THINK THESE HOES BE MAD AT ME THEIR BABY FATHER WANT A BILL
♪ SAID LITTLE BITCH, YOU CAN’T (BLEEP) WITH ME IF YOU WANTED
TO ♪ I’M A BOSS, YOU A WORKER BITCH
I MAKE BLOODY MOVES>>I IT THINK MOST OF THE WORLD
IS FELT LIKE YOU CAME OUT OF NOWHERE WITH– BUT YOU AM BEEN
GRIERNDING AND HUSTLING FOR A LONG TIME, TELL ME ABOUT THAT
TIME, I USED TO BE A SHIPPER SO WHEN I GOT POPPING ON INSTAGRAM,
IT SHOULD BE THE UNITED STATES AND I WAS GOING AROUND LISTENING
TO WHAT PEOPLE WERE LISTENING TO, A LOT OF PEOPLE HAVE DRCH
STYLES SO WHAT WOULD BE SOMETHINGS THAT PEEMENT PEOPLE
LIKE FROM EVERY COAST, BOOM.>>HUGH DID YOU GET PEOPLE TO
MAY YOUR MUSIC TORQUE PLAY YOUR SONGS.>>BY DOING THE MUS ECK. AT FIRST PEOPLE DIDN’T WANT TO
PLAY MY MUSIC ON THE DAMN RADIO, AND A LOT OF THEM WERE SLEEPING
ON ME, YOU KNOW WHAT I AM SAYING, I HAD TO KEEP ON MAKING
MUSIC, AND ONE THAT IS GOING TO MAKE THEM CATCH THEIR EYES ON
ME, BECAUSE YOU KNOW, I’M FUNNY.>>James: OKAY, SURE.>>SO PEOPLE USUALLY THINK
EVERYTHING IS A JOKE AND HEE HEE HEE, HA HA BUT I’M NOT LAUGHING
TODAY. I WANT YOU TO TAKE THIS SERIOUS. BUT THEY WASN’T, THEY WAS
♪ LOOK, MY BITCHES ALL BAD, MY ALL REAL
♪ I RIDE ON HIS (BLEEP) IN SOME BIG TALL HEELS
♪ BIG FAT CHECKS, BIG LARGE BILLS
♪ FRONT, I’LL FLIP LIKE TEN CARTWHEELS
♪ COLD ASS BITCH, I GIVE BROADS CHILLS
♪ TEN DIFFERENT LOOKS AND MY LOOKS ALL KILL
♪ I KISS HIM IN THE MOUTH, I FEEL ALL GRILLS
♪ HE EAT IN THE CAR, THAT’S MEALS ON WHEELS
♪ WOO, I WAS BORN TO FLEX DIAMONDS ON MY NECK
♪ I LIKE BOARDIN’ JETS I LIKE MORNIN’ SEX
♪ BUT NOTHING IN THIS WORLD THAT I LIKE MORE THAN CHECKS
MONEY♪ ALL I REALLY WANNA SEE IS THE
MONEY♪ I DON’T REALLY NEED THE ‘D,’ I
NEED THEMONEY
♪ ALL A BAD BITCH NEED IS THEMONEY FLOW
♪ I GOT BANDS IN THE COUPE GOOD MORNIN! BUSTIN’ OUT THE ROOF
♪ I GOT BANDS IN THE COUPE>>WHAT’S UP CHILDREN? STAY IN SCHOOL! (LAUGHTER)
LISTEN TO YOUR MOM! OR YOU WON’T BE GETTING NO
CHRISTMAS GIFTS! DON’T MIND ME. CHILDREN! SWEET LIKE A HONEY BUN, SPIT
LIKE A TOMMY GUN ♪ ROLLIE A ONE OF ONE, COME GET
YOUR MOMMY SOME ♪ CARDI AT THE TIP-TOP, BITCH
KISS THE RING AND KICK ROCKS, SIS
♪ JUMP IT DOWN, BACK IT UP MAKE THAT PUT DOWN 2K
♪ I LIKE MY DARK LIKE D’USSÉ HE GONNA EAT THIS ASS LIKE SOUP
♪ I WAS BORN TO FLEX, DIAMONDS ON MY NECK
♪ I LIKE BOARDIN’ JETS, I LIKE MORNIN’ SEX
♪ BUT NOTHING IN THIS WORLD THAT I LIKE MORE THAN KULTURE
KULTURE, KULTURE, KULTURE(CHEERS AND APPLAUSE)
>>James: KNEW I KNOW YOU LOVE CARS, HOW MANY CARS HAVE YOU GOT
NOW.>>HAVE I A LAMB BOXER A
LAMBORGHINI TRUCK, I HAVE A BENLY TRUCK, I HAVE A– AND I
HAVE A SUR BUR BAN.>>James: FIVE CARS. NOW MERE’S MY BIGGEST QUESTION. YOU CAN’T DRIVE.>>NO.>>James: SO WHAT IS THE POINT
OF HAVING THESE CARS.>>TAKE PICTURES IN IT. (LAUGHTER).>>James: ARE YOU FOR REAL. YOU’RE LIKE, BUT COULD YOU DO
THAT IN THE SHOWROOM.>>NO, THAT’S BEING AN IMPOSTOR. YOU KNOW HOW MANY THINGS NOW
THAT I COULD RAP ABOUT THAT NOW THAT I OWN THESE CARS, I CON RAP
ABOUT THEM BECAUSE I DIDN’T OWN THEM, NOW CAN I RAP ABOUT IT.>>James: BECAUSE I THINK YOU
SHOULD LEARN TO DRIVE, CUZ YOU KNOW YOU HAVE THESE INCREDIBLE
CARS, CARS THAT PEOPLE DREAM ABOUT DRIVING.>>IT’S SCARY.>>James: DO YOU WANT ME TO
GIVE YOU A DRIVING LESSON? OKAY. SO WHAT YOU GOT TO DO, SLALOM
THROUGH THESE FLAGS AND WE WILL DRIVE THROUGH THE TOP AND
PARALLEL PARK.>>LET ME STICK ON MY SHOES.>>James: OKAY. AND I THINK YOU CAN DO THIS,
CARDI, I DO. OKAY, ALL RIGHT, HERE WE GO. COME ON, YOU GOT THIS. YOU GOT THIS. OKAY. CHECK YOUR MIRRORS ARE IN THE
RIGHT PLACE. YOU ARE GOING GO RIGHT HERE,
LEFT AND RIGHT, OKAY.>>YOU LOOK NERVOUS.>>James: NO, I’M NOT. I’M FINE. KEEP GOING STRAIGHT.>>OKAY.>>James: YOU’VE GOT TO GO IN
AND OUT OF THE FLAGS. YOU GOT TO GO IN AND OUT OF THE
FLAGS.>>I’M SCARED, I’M SCARED.>>James: NOW RIGHT, NOW
RIGHT, GO BACK, PUT IT IN REVERSE. OKAY, OKAY, ROLL BACK, IT’S
FINE, IT’S JUST A CONE WITHIN STOP NOW, STOP, STOP. (LAUGHTER).>>James: IN THROUGH HERE,
DWRE, YES, NOW RIGHT, RIGHT, RIGHT, RIGHT. (LAUGHTER)
LOOK.>>James: YOU REVERSED INTO
IT.>>NO I DIDN’T.>>James: YOU KNOCKED THEM
OVER. THIS CAR SLIEK VERY BIG FOR ME. IT’S NOT FOR A GIRL.>>James: YOU’RE RIGHT TRK
SAUL THE CAR, YOU WILL BE MUCH BETTER IN THE LAMB BORE GIBI. YOU WANT TO TURN THE CAR, THAT
IS IT, THIS WAY. DON’T TURN YOUR BACK THIS
>>AHH! I HIT SOMETHING.>>James: YOU THINK? YOU RECKON? (LAUGHTER)
>>OH GOD, [BLEEP].>>I GIVE UP.>>James: YOU KNOW WHAT, LET’S
MOVE IT AN ♪ CAME THROUGH DRIPPIN’
DRIP, DRIP ♪ CAME THROUGH DRIPPIN’
DRIP, DRIP ♪ DIAMONDS ON MY WRIST, THEY
DRIPPIN’ ICE ♪ CAME THROUGH DRIPPIN’
DRIP, DRIP ♪ CAME THROUGH DRIPPIN’
DRIP, DRIP ♪ CAME THROUGH DRIPPIN’
DRIP, DRIP ♪ DIAMONDS ON MY WRIST, THEY
DRIPPIN’ ICE ♪ GIVE ME LITTLE SOMETHING TO
REMEMBER CARDI! ♪ TRYNA MAKE LOVE IN A SPRINTER
QUICK TO DROP A LIKE KEMBA ♪ LOOKIN’ LIKE A RIGHT SWIPE ON
TINDER ♪ ON THESE HOES
LIGHT UP MY WRIST ON THESE HOES ♪ NOW I LOOK DOWN ON THESE
BITCHES ♪ I FEEL LIKE I’M ON STILTS ON
THESE HOES ♪ CAME THROUGH DRIPPIN’
DRIP, DRIP ♪ CAME THROUGH DRIPPIN’
DRIP, DRIP ♪ CAME THROUGH DRIPPIN’
DRIP, DRIP ♪ DIAMONDS ON MY WRIST, THEY
DRIPPIN’ ICE (CHEERS AND APPLAUSE)
>>James: NOW TALK TO ME ABOUT THE NEW YORK THAT YOU GREW UP
IN, WHAT WAS IT LIKE?>>WELL, I GREW UP LIKE, YOU
KNOW, WHAT PEOPLE WOULD CONSIDER THE GHETTO, SO YEAH, THERE WAS A
LOT OF GANG RELATED THINGS. THERE WAS A LOT OF VIOLENCE, BUT
I ALSO HAD A LOT OF FUN GROWING UP, LIKE PLAYING HIDE N GO SEEKS
IN THE HALLWAYS, HOOKIE PARTIES AND GETTING CHASED BY THE
POLICE.>>James: IS IT TRUE WHEN YOU
WERE YOUNGER YOU USED TO WALK ASHE WITH A RAZOR BLADE IN YOUR
MOUTH.>>YES.>>James: JUST IN CASE YOU GOT
INTO TROUBLE OR SOMETHING HAPPENED.>>YES, BECAUSE YOU GET INTO
TROUBLE, SOMETHING HAPPENS, SOMEBODY WANT TO RUN UP, YOU
KNOW WHAT I AM SAYING, LIKE T WAS JUST CRAZY, YOU ALWAYS GOT
TO BE CAREFUL. YOU ALWAYS GOT TO BE ON POINT,
YOU ALWAYS GOT TO BE MILITANT, MAN.>>James: ALSO HANDY WHEN AN
AMAZON PACKAGE ARRIVES.>>YOU FLOW WHAT, YOU ARE RIGHT.>>James: THAT IS ONE GOOD
REASON.>>YOU ARE RIGHT
♪ WHO GET THIS STARTED? CARDI! ♪ WHO TOOK YOUR BITCH OUT TO
PARTY? CARDI! ♪ I TOOK YOUR BITCH AND DEPARTED
CARDI! ♪ WHO THAT BE FLY AS A MARTIAN? CARDI! ♪ WHO THAT ON FLEEK IN THE CUT? CARDI! ♪ WHO GOT THE BRICKS IN THE
TRUCK? CARDI! ♪ THEM DIAMONDS GON’ HIT LIKE A
BITCH ON A BITCHY ASS BITCH ♪ BITCH, YOU A WANNABE CARDI
♪ RED BOTTOM M.J., MOONWALK ON A BITCH
♪ MOONWALKIN’ THROUGH YOUR CLIQUE
♪ I’M MOONWALKIN’ IN THE 6 STICKY WITH THE KICK, MOONROCKS
IN THIS BITCH ♪ I’M FROM THE (BLEEP) BRONX
I KEEP THE PUMP IN THE TRUNK ♪ BITCH IF YOU BAD THEN JUMP
MIGHT LEAVE YOUR BITCH IN A SLUMP
(CHEERS AND APPLAUSE)>>James: NOW THERE SAY
PHENOMENON ON THE INTERNET, A WAVE OF PEOPLE WATCHING THESE
VIDEOS CALLED ASMR VIDEOS WHICH I DIDN’T KNOW WHAT THEY WERE. BUT IN IS SOMETHING YOU ARE
REALLY INTO, YOU CAN EXPLAIN TO ME WHAT ST AND WHY WHY YOU LIKE
IT.>>WELL, ASMR ARE PEOPLE LIKE
WHISPERING OR EATING ON A MICROPHONE.>>James: BUT ISN’T IT ALSO
LIKE NOISES WITH YOUR MOUTH.>>YES. THEY JUST DO CERTAIN TYPE OF
MOVEMENT AND THE WAY THEY SPEAK ALL TOGETHER, IT JUST MAKES ME
GO TO SLEEP, IT RELAXES ME.>>James: SO IT IS KIND OF
LIKE MEDITATION BUT WITH MOUTH-BASED NOISES.>>YES.>>James: HELLO, CARDI. APPROXIMATE HELLO, CARDI, IT’S
YOUR GOOD FRIEND JAIMS.>>YEAH, THAT SOUNDS PERVERTED. NO, NO, THAT’S NASTY. YOU KNOW
NOW YOU SOUND LEAK ARE YOU KIND-OF-[BLEEP]
♪ THE ONLY MAN, BABY, I ADORE I GAVE YOU EVERYTHING, WHAT’S
MINE IS YOURS ♪ I WANT YOU TO LIVE YOUR LIFE
OF COURSE ♪ BUT I HOPE YOU GET WHAT YOU
DYIN’ FOR ♪ BE CAREFUL WITH ME
DO YOU KNOW WHAT YOU DOIN’? ♪ WHOSE FEELINGS THAT YOU’RE
HURTIN’ AND BRUISIN’? ♪ YOU GON’ GAIN THE WHOLE WORLD
BUT IS IT WORTH THE GIRL THAT YOU’RE LOSIN’? ♪ BE CAREFUL WITH ME
YEAH, IT’S NOT A THREAT, IT’S A WARNIN’
♪ BE CAREFUL WITH ME YEAH, MY HEART IS LIKE A PACKAGE
WITH A FRAGILE LABEL ON IT ♪ BE CAREFUL WITH ME
(CHEERS AND APPLAUSE) STRANGEST PLACE YOU EVER
PERFORMED.>>WHEN I DO PRIVATE PARTIES I
AM SO SHY, I DID A BAR MITZVAH NOT SO LONG AGO AND I NEVER
PERFORMED IN FRONT OF SO MANY KIDS. AND THEN MY DJ DIDN’T HAVE THE
CLEAN VERSION OF THE SONG.>>James: OARKSZ NO ARE YOU
SERIOUS.>>AND I JUST FELT SO AWKWARD,
BUT THOSE KIDSES WERE HAVING A GOOD TIME AND HI A GOOD TIME
TOO. THE BEST.>>James: SO YOU PLAYED THE
YOUNG FOLK WHAT IS THE OLDEST AUDIENCE YOU EVER PLAYED TO.>>I DON’T THINK HAVE I YET.>>James: YOU DON’T THINK THAT
IS A MARKET THAT HAVE GOT INTO CARDI BRK YET.>>WHERE CAN I PERFORM FOR LIKE
OLDER PEOPLE.>>James: I KNOW A PLACE.>>James: COME ON IN, COME ON
IN, EXECUTION ME, LADIES. HI. CAN WE INTERRUPT. COME UP ON HERE. I’M SO SORRY TO IT HIJACK YOUR
CLASS BUT WE WANTED TO COME, WE THOUGHT WE WANTED TO TRY AND MIX
THINGS UP A BIT. WE THOUGHT CARDI B, BIGGEST
SELLING FEMALE ARTIST IN THE WORLD. THERE IS A GENTLEMAN HERE ON HIS
PHONE, ARE YOU OKAY, SIR?>>CALLING THE REPAIRMAN.>>James: GOOD TO KNOW HE IS
LITERALLY LEAVING TO CALL THE REPAIRMAN. CARDSI B. LET’S GO LET’S
♪ I LIKE IT LIKE THAT ♪ NOW, I LIKE DOLLARS
I LIKE DIAMONDS WHEN THEY WANT A SECOND CHANCE
♪ I LIKE PROVING THEM WRONG I DO WHAT THEY SAY I CAN’T
♪ THEY CALL ME CARDI BARDI BANGING BODY, SPICY MAMI
♪ HOT TAMALE, HOTTER THAN A SOMALI, FUR COAT, FERRARI
♪ HOP OUT THE STU’, JUMP IN THE COUPE
♪ BIG DIPPER ON TOP OF THE ROOF FLEXING ON PEOPLE AS HARD AS I
CAN ♪ EATING HALAL, DRIVING THE LAM’
TOLD THAT GIRL, “I’M SORRY,” THOUGH
♪ ‘BOUT MY COINS LIKE MARIO YEAH, THEY CALL ME CARDI B
♪ I RUN THIS (BLEEP) LIKE CARDIO
♪ I SAID I LIKE IT LIKE THAT>>WAS HE’S YOUR NAME.>>SPENCER.>>MY NAME IS CARDI.>>WHAT.>>CARDI.>>NICE TO MEET YOU.>>NICE TO MEET YOU.>>I’M VERY PLEASED TO MEET YOU.>>YAI.>>I’M LOOKING FOR A SIGNIFICANT
OTHER. ARE YOU OKAY.♪ I SAID I LIKE IT LIKE THAT
JUST HAD A BABY.>>LADIES AND GENTLEMEN, CARDI
B, IN ITS STORES NOW, WHAT DO YOU THINK, ARE YOU GOING TO
DOWNLOAD THIS?>>YES, I AM.>>James: WE MADE A BELIEVER. ARE YOU A CARDI B FAN. WATCH THE IS SHOES, ARE THEY
EXPENSIVE. THERE WE GO, SEE YOU SOON,
EVERYBODY. SEE YOU GUYS. SEE YOU. THANK YOU SO MUCH, BYE. THAT WAS A HUGE SUCCESS. HUGE SUCCESS. I THINK IT’S A NEW FAN BASE
(CHEERS AND APPLAUSE)
♪ ♪ ♪>>James: OKAY, STEPHEN, ARE
YOU READY? I IMAGINE THIS IS THE PINNACLE
FOR N.B.A. PLAYERS.>>THIS IS IT. THIS IS A TEST OF MY METAL RIGHT
NOW. LET’S GO. STEPHEN, YOU’VE BEEN MAKING FIVE
THREE-POINTERS PER GAME, SO WE’RE GOING TO SEE IF YOU CAN
TOP THAT TONIGHT. WE HAVE THREE RACKS SET UP
AROUND THE STUDIO. YOU’LL HAVE TO CLEAR YOUR RACK
OF BALLS BEFORE MOVING ON TO THE NEXT ONE. BEST OF LUCK. THERE IS A LOT RIDING ON THIS. THIS WILL PROBABLY DETERMINE
YOUR LEGACY WITHIN BASKETBALL. ( LAUGHTER )
OKAY. TAKE YOUR MARK
NOW LET’S LIFT ME UP! ( CHEERS AND APPLAUSE )
>>James: STEPH, HOW ARE YOU FEELING?>>FEELING VERY CONFIDENT RIGHT
NOW. IT’S A BIG TARGET UP THERE. ( LAUGHTER )
>>James: YOU FEEL CONFIDENT, YOU FEEL GOOD?>>I’M FEELING GOOD.>>James: YOU SURE? I’M SURE.>>James: YOU’VE GOT THIS? BETTER THAN YOU ARE PROBABLY.>>James: IT’S NOT ME. I TELL YOU WHAT, I’M JUST
PLEASED I’VE HAD ALL OF MY CHILDREN. THAT’S THE MAIN THING I’M
THINKING ABOUT RIGHT NOW. OKAY. I THINK WE’RE READY TO PLAY. LET’S PUT SOME TIME ON THE
CLOCK. GOOD LUCK, STEPHEN! THREE, TWO, ONE, GO! ♪
( CHEERING ) OH, OH! STOP MOVING ME. THIS IS TOO EASY. IT’S TOO EASY. OH! OH! ( LAUGHTER )
OH! COME ON, BABY! OH! IS THAT IT? WHOO! ( RINGING BELL )
BACK TO ONE, HERE WE GO! HERE WE GO! ( RINGING BELL )
OH! OH! ♪
WHOA! OH! ( CHEERING )
HERE WE GO, COME ON, BABY! YOU’VE GOT THIS, MAN! YOU’VE GOT THIS! ( CHEERS AND APPLAUSE )
♪ ( LAUGHTER )
OH! HERE WE GO! HERE WE GO! COME ON, YOU’VE GOT THIS! OH! OH! THAT’S IT! OH! ( BUZZER )
OH! ( BUZZER )
THAT’S IT! WHOO! THAT’S THE GAME! GIVE IT UP FOR STEPHEN CURRY
SCORED SEVEN POINTS, EVERYBODY!>>I’LL TAKE THAT.>>James: WE’LL BE RIGHT BACK
WITH MORE “THE LATE LATE SHOW”! ( CHEERS AND APPLAUSE )
( BAND PLAYING )
>>James: WE PLAY BEFORE THE
SHOW, WE HAVE A BASKETBALL HOOP ON THE ROOF HERE, AND WE PLAY
YOU BEFORE –>>DUDE!>>James: DON’T DOOUTD ME. ARE YOU SAYING FOR REAL THAT YOU
THINK THAT YOU WON THAT BASKETBALL GAME?>>YES I AM! YOU’RE NOTHING. I WAS JUST LIKE WHOA WHOA WHOA,
YOU WERE LIKE AH-HA!>>James: I CAN’T BELIEVE ON
TELEVISION YOU ARE SAYING THAT YOU WON THAT GAME!>>YOU CAN’T BELIEVE WITH THAT
ACCENT THAT HE ISN’T DOING ANYTHING BUT KICKING THE BALL IN
THE BASKET.>>James: WE HAVE VIDEO
PROVING THIS IS ME KICKING ICE CUBE’S ASS!>>CHECK UP, CHECK UP.>>WHOA WHOA WHOA. OH! ♪ NOTES ♪ ♪
(APPLAUSE)>>JUST WARMING UP! WARMING UP!>>STRAIGHT OUT OF COMPTON.>>STRAIGHT OUT OF
BUCKINGHAMSHIRE. THIS IS HOW WE DO IT! (LAUGHTER)
>>WHAT YOU GOT?>>YOU’RE MY GUY! PLOP! DON’T PULL THE HANG STRING! — THE HAMSTRING, OH LORD! (LAUGHTER)
>>YOU TRY BUT YOU’RE GONE. YOU CAN’T JUMP. YOU CAN’T JUMP.>>WHAT WHAT? HEY! (LAUGHTER)
>>WHOA! OKAY NEXT POINTS WINS.>>ALL RIGHT.>>NEXT POINTS WINS, YOU READY? YOU READY?>>JAMES CORDEN IS THE WORLD’S
FASTEST PLAYER.>>James: I TOLD YOU, I TOLD
YOU!>>IT’S SOMETHING FUNNY ABOUT
THAT FOOTAGE RIGHTS THERE.>>WE HAVEN’T EVEN EDITED IT.>>YOU NEED TO EDIT IT.
THIS TRAFFIC IS TERRIBLE, THANK
YOU SO MUCH FORE GET TO>>
>>James: I REALLY APPRECIATE YOU. YOU KNOW, THE BACKWAYS. JUST MAKE A LEFT UP HERE ANDASS.>>I THINK IT RIGHT. REALLY? ON, CATCH IT STRAIGHT
AHEAD.>>GO STRA
>>THREE RIGHTS IN A ROW.>>James: I’M
REGRETTING ASKING YOU, ALREADY REGRETTING ASKU. DO YOU MIND IF WE LISC. SHALL I SEE WHAT IS HERE. CAN’T STOP THE
SHINDIG. COAYS I’M GONNA WIN
GIG. THIS FEELING THAT YOU PAY
♪ IT’S HG U PAY FOR. IS LIVING ONWEST END. ♪ KNOCK OUT BUT BETTER
♪ DON’T DIE YOU KOW THE TRUTH IS SOME DO. ♪ IT IS MORE THANDINARY. ME BACK. CAN’T STOP THE SPIRITS
THEY NEED YOU. ♪ THIS IS LIFE IS MOR JUST
A R THRU. ♪ GLORIOUS FOOD, HOT SAUSA
MUSTARD. ♪ WHY I’M INHE MOOD. ♪ FOR CHERRY AND KUS TARD. ♪DIGESTION. ♪ I NEHOUGHT THAT WE
WOULD FINISH A RED HOT PEPPER SONG AND GO STRAIGHT INTO
THE MUSICAL OL>>YOU ARE LUCKY.>>Reggie: IS THAT.>>YOU DON’T WANTO KNOW.>>James: BUT DO I
>>YOU SAY THAT THEN WILL YOU KNOW AND ARE YOU LIKE,
I SHOULD HAVE LISTENED.>>WE WERE 15 YEARS OLD SLEEP ON
A ROCK OUT IN THE WOODS. SMOKING LARGE QUANTITIES OF
MARIJUANA. I CAN SEE THE SIERRA NEVADA
GE AND HIMY NIMY.>>James: A TASTE OF SOUND. ♪ SCHDA THAT. ♪ WHOOP. ♪ CORDEL SCHNEW
♪ HEADY LOADY BOBIN BOO. ♪ WHOOP.>>Jam WAS
JU MARIJUANA? WHAT I GOT TO I GIVE TO GIVE IT
♪.>>
>>James: WAIT WA, HAVE YOU GOT THAT ARE
YOU GOING TO GIVE TO MY MUM.>>LOVE AND AFFECTION. YOU GOT THAT ARE YOU GIVE TOAD.>>A STERN TALKING TO, IF YOU
WILL. WHAT I’VE GOT YOU’VE GOT TO GIVE
IT TO YOUR DAUGHTER.>>James: WHAT ARE YOU DOING
WITH MY DAUGHTER?>>NOW THAT IS NOT FOR LATE
NIGHT TV, THAT IS LATE LATE.>>James: THAT IS US. WE ARE LATE LATE.>>ARE LATE. WITH YOUR DAUGHTER, WE READ BED
TIMETORIES. YOU GOT TO GET IT PUT IT YOU. GOT YOU’VE GOT TO GET
IT PUT IT IN YOU. ♪ GIVE IT AWAY, GIVE IT AWAY,
GIVE IT AWAY NOW. ♪ GIVE IT AWAY, GIVE IT AWAY,
♪ I CAN’T TELL IF I’M KINGPIN OR PAUPER
♪ WH YOU WERE WITH THE SCHOOL A
COUPLE OF BLOCKS HERE.>>YES.>>James: WHAT WAS YOUR FIRST
IMPRESSIONS OF EACH OTHER AT SCHOOL.>>RIGHT.>>MAJOR– DU CK. PIE ONE AND ONLY FRIEND, HE
ROLLS UP AND STARTS ROUGHING HIM UP.H, HANDS OFF.>>James: YOU HAVE NEVER BEEN
IN A FIGHT.>>NEVER, NOT– A COUPLE OF
LITTLE KID SCRAPS.>>WE USED TO WRESTLE.>>James: DID YOU, I LOVE A
GOOD MAN WRESTLE.>>DO YOU, BE HONEST.>>James: A GRAPPLE.>>NO EM BOWS, NO KNEES.>>James: NEVER LIKE– NO
PUNCHES, NO, LIKE A HOLDDOWN.>>RIGHT THERE. I WILL WRESTLE YOU ANY TIME YOU
WANT AND I WILL DESTROY YOU.>>I WANT TO WRESTLE. PULLING OVER. WRESTLE ON THIS LAWN RIGHT
OKAY.>>I DANT ANYONE TO– .>>James: I DON’T KNOW WHOSE
HOUSE THIS IS, I AM SLIGHTLY WORRIED I AM GOING TO OFFEND
THEM.>>WE’RE GOING TO DO A LITTLE
MAN WRESTLING.>>James: WELL DONE. I AM GOING TO LOSE MY PHONE.>>ARE YOU STARTING DOWN.>>NO POSITION.>>GREKO ROMAN, UP.>>James: NO POSITION, JUST
STRAIGHT UP. WHOSE DON’T KNOW WHOSE HOUSE
THIS IS.>>YOU ARE GOING TO WANT STAY
LOW.>>DON’T WORRY ABOUT IT.>>James: WHAT WAS THAT.>>GO LOW, GO LOW.>>GO LOW! (APPLAUSE).>>James: I SUBMIT, I SUBMIT,
YOU DESTROYED ME.>>THAT WAS QUICK.>>James: YOU MADE ME REALIZE
WHAT LEVEL I WAS AT THAT. OH MY GOSH. I DIDN’T SEE THAT COMING,
KIEDIS.>>NEW SHOW, FRONT LINE
WRESTLING. IT IS DIFFICULT TO WRESTLE WHEN YOU ARE LAUGHING
THAT MUCH. ♪ FOROUR WAIVING. ♪
♪ DREAM OF CALIFORNICATION. ♪ DREAM OF CALIFORNICATION. ♪
>>James: NOW SEEING YOU ALL, WHAT I CONSIDERED TO BE MAYBE
THE MOST COMMITTED-BASE PLAYER OF ALL TIME.>>YOU WOULD THINK.>>James: I MEAN IT, BECAUSE
YOU ARE IN IT. LIKE WHEN YOU ARE PLAYING, I
DON’T KNOW WHERE YOU END AND THE-BASE GUITAR– THE BASS
GUITAR BEGINS.>>I REMEMBER READING A BOOK
ABOUT BOB MARLEY WHEN I WAS A TEENAGER AND HE TALKS SO MUCH
ABOUT THE ONLY THING THAT REALLY MATTERED WHEN YOU WERE PLAYING
MUSIC WAS THE MOTIVATION AND THE INTENSITY AND COMMITMENT TO WHAT
YOU WERE DOING IN THE MOMENT. THAT COMMITMENT IN THE MOMENT,
THAT REALLY STRUCK HOME TO ME. AND I FIND MY GREATEST PURPOSE
IN LIFE WHEN I’M COMPLETELY LOST IN THE MUSIC.>>WE ALL DO.>>James: IF I WAS A BASS
PLAYER, I WOULD GO STRAIGHT UP SLAP.>>YOU WOULD. WOULDKE
WHEREVER MY HAND IS, I WOULD BE RIGHT UP HERE. ♪ MANY MOONS THAT ARE DEEPT
LAY SO.T IT HAS TO SAY. ♪ YOU AND I BOTH KNOW. ♪ EVERYTHING MUST GO AWAY. ♪ DON’T KNOW MY MIND. ♪ YOU DON’T K KIND. ♪ DARK NECESSITIES ARE PART OF
MY DESIGN. HE WORLD THAT I’M. FROM THE SKY. NECESSITIES ARE PARTF
SIGN. J WHAT DO YOUHINK SLT MOST ROCK ‘N’ ROLL THING YOU HAVE
PART OF OR SEEN ON TH ROAD?>>WE PLAYED A FESTIVAL IN
EARS AGO. IN THE CROWD I SAW TWO GUYS HAVING WITH THEIR
PROSTHETIC LEGS. (LAUTER)
>>ONE HAD A SHOE ON. DIDN’T.>>THAT IS ROCK.>>IT WAS VERY DUTCH ROCK. ♪ SOMETIMES I LIKE I DON’T
PARTNE ♪ SOMETIMES I FEEL LIK MY ONLY
FRIEND. ♪ IS THE CITY I LOVE
♪ THE CITY OF ANGELS. ♪ LONELY AS I AM. ♪ CRY. I DON’T EVER WANT TO
♪ LIKE I THAT DAY. AKE ME TO THE PLAC. ♪ TAKE ME ALL THE WAY. ♪ I DO FEEL
HAT DAY.AKE ME TO THE PLACE IVE. ♪ TAKELL THE WAY. ♪
>>Jam DIDN’T RECOGNIZE YOU UP
BECAUSE ON, ARE YOU A BAND OF TOPS OFF.>>AL. IT SEEMS NATURAL. UNNATURAL NOW WITH A
>>A BIT ENCUMBERED. VE, HE HAS AT LEAST THREE LAYERS
ON.>>J OUR
CLOTHES.>>I THAT ONE
DAY I’ HAVEHE SOCK TONIGHT.>>YOU KNOW WHAT– . THE SHOES AND SOCKS.T
>>I FEEL LIKE THERE WAS A CREW THERRE, SOME KIND OF
A BIT OF A CU: ARE YOU NOT GOING FULL NAKED.>>NO, I WOULDN’T.>>James: HANG ON WHAT AREE
DOING.>>NOT
>>ALL GIVE MEAT MICROPHONE. FLEE,S.>>I’MOING BACK.>>James: NO,’RE NOT. IN A WD AWAY. ♪ PICK IT UP NOT TOO STRO
YOU. ♪ TAKE A PIECE A IT ON. ♪ FLY ON MY
ORE THAN EVER.S PERFECT WEATHER. ♪ WE’LL FIND A PLACE TOGETHER. ON THED CAN PASS ME BY. ♪ AWAY ON MY ZEPHYR. ♪ WE’LL TO LIVE
FOREVER. (CHEERS AND APPLAUSE)
D THAT ONE. James: YOU KNOW WHAT TOP OFF JUST MADE MEREAT.>>James: YOU KNOW WHAT I
MEAN. IN THEY OWN WITH A TOP OFF I LOO
WEIRD. T THE THREE OF TOPS OFF IT FEELS
COMPLETELY NORMAL. AM I WRONG.>>James: IS IT TRUE THAT
USED TO BABYSIT>>SHE DID. NOT ON A REGULARD WERE YOU AND
WAS SHE WHEN SHE WAS BABYSITTING.>>SO I WA TO RECALL 12 YEA
OLD.>>James: RIGHT. E YOU 12 YOU DON’T OLD ADULTS AR
>>James: SURE.>>BUT SHE WAS FIT AND
AND I KNEW THAT. AND UST KIND OF HIT
HORM JUST TOUCHING IT. I WASN’T ALL INTO
BUT.>>James: YOU DISCO
>>SOMETHING I FELT– .>>James: YOU MADE FRI
WITH IT. WE HUNG OUT. I SLEPT HER BED. I WATCHED HER THROUGH
THE CRACK OF THE BATHR G READY FOR BED. I WAS LIKE IN MYAMIES, GETTING
READY TO SOME ZST.>>James:
>>AND SHE LIKE AS HAPPENIes: SO YOU HAVE SPOKEN
>>I DID. I ASKED HER AND LIKE WHAT
ARE YOU BEING.>>James: REALLY, SHE
ACKED IT OU THINK SHE BLACKED IT OUT. VE BEEN.URN BACK TIME.E THE SHOW
TONI ♪ AND THERE’S A LI ON, HEAVYOW. ♪ BY THE WAY I TRI TO SAY. DANI
TH IS. ♪ SINGING ME. ♪ BENEATH THE MARQUEE. ♪ OVER
♪ ♪ AND THERE’S A LIGHT DANI GIRL. ♪ I TRY SAY I
YOU. ♪ STANDING TO SEE THE
SHOW TONIGHT. ♪ AND THERE’S A ON. GLOW. ♪ TRIED TO
♪ I’D BE THERE WAITING FOR. . YOU, LADIES AND GENTLEMEN, PEACE
>>James: I ALWAYS KNEW THAT OF MY LIFE TO B
IT WASN’T UP FOR DEBATE THAT CTED IT TO BE AS AS IT HAS BEEN. NT YOURT I DON’T THINK THEY EVER
THE RED HOT CHILI PEPPERS. THANK YOI LOVED IT SO VERY.